By Uncle xhai Culture, Media Labels: Another brick in the wall, anti-Semitism, manitowoc foodservice apartheid, baby boomers, Madison Square Garden, the Berlin wall, rock music, pacifism, Pink Floyd, rock, Roger Waters, the Tea Party, the wall
When attend studies during manitowoc foodservice 1978-1983 in the Faculty of History and Philology, I did used to imagine that secretly manitowoc foodservice installs at the entrance to the building of the faculty and in the yard outside, powerful speakers, cabinets mijëravatësh, from which I will play a morning dreary winter, with maximum volume, song Another Brick in the Wall, prog rock group Pink Floyd; to crown it all ideological sabotage-famous solo acoustic with guitar of David Gilmour's.
I do not know why I ever thought about in her songs when I had plans for this center demonic voice; perhaps because I loved solo, but perhaps also because, in any revolutionary education hours, reading the works of Enver Enver speeches, the political economy of socialism with the hozrashot emulation, the barracks of eternit poetry, philosophy leaked drip of the fountain pen Stalin, Enver memories, manitowoc foodservice discussions with what the author meant, Enver note for China, compendiums and prospectuses manitowoc foodservice and insects that zvarriseshin kuqeblu our data blocks revolutionary verse repetition with him "we will not Need No Education" who, with double denial contained (syntax was translated, as of the initial student of English) -in Establishment manitowoc foodservice challenging even through grammatical manitowoc foodservice structure.
Even knew the song by heart knew because manitowoc foodservice he had reigned for many weeks, on the throne of Italian -it Hit Parade; but we had not heard anything for the album The Wall, or musical film The Wall, directed by Alan Parker, who came later; even had little information even for Pink Floyd group and their music, based on the concept album Inpatient care and drives manitowoc foodservice LP, or 33-lap, for whom I had not yet hit parade.
It had to spend thirty-change years from that day, to finally to follow directly in the hall, a concert by Roger Waters, John Lennon's former group Pink Floyd, creator of the concept and the author of most of the songs of the album The Wall; and to hear once again the floppy choir of children reciting the famous series of We Do not Need No Education as sent for processing manitowoc foodservice to a meat machine; manitowoc foodservice although now the rebellion pantomime manitowoc foodservice was entrusted to a group of a tiny black.
Like any brand Pink Floyd concert, this one's Roger Waters, already long detached from the group, give the public much more than music; even more functions music soundtracks multimedia spectacle, technically perfect, naturally combining film, animation, television, special effects, laser-of, noise, manitowoc foodservice fireworks, puppet theater and other wonders manitowoc foodservice for the eye; even a fighter plane from World War II they knocked indeed smoke and flames in the middle manitowoc foodservice of the scene, to the surprise and delight of children who keep hidden inside everyone.
The current one, at Madison manitowoc foodservice Square Garden in the heart of Manhattan, supported by the head end of the double album The Wall; which some consider one of the classic rock opera, and that materializes on stage, in word and in sound fantasies, manitowoc foodservice ghosts and fantazmagoritë's Roger Waters, gloomy and paranoid soul band Pink Floyd; at a time when the visual effects, the protagonist role, combine images of Gerald Scarfe's animated by the homonymous film of Alan Parker's, with other images, to date, that directly evoked the world of track and reproduce manitowoc foodservice the global policy, see through the eyes of countless victims of war, totalitarian and authoritarian regimes, surveillance and trushpëlarjes.
In the original album, the 1978, Waters-The wall was conceived as impermeable membrane, anti-osmotic, which would protect the public, by returning him embracing the rigid and primordial mother; but also as a prison wall where the individual holds the personizuar modern establishment in parental figures and authoritarian teachers, judges, doctors, police, dictator; a metaphysical prison where the sex itself, this unconditioned nënshtrat of every manifestation manitowoc foodservice of the phenomenon scenic rock, articulated in force and submission reports. The wall of those years was the existential meaning and metaphorical fruit of an ambitious effort's Waters himself, like rock star Pink -i neurotic identity crisis, to treat psycho-therapeutically through artistic reproduction of himself. manitowoc foodservice
However, only 10 years later, the collapse of a real wall that had divided Europe in two, as one of the monuments obtuze and functional at the same time communism and Soviet authoritarianism, would give Waters's already left the Pink Floyd after disputes the creative nature, a unique opportunity p
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